Look at the stars! look, look up at the skies!
O look at all the fire-folk sitting in the air!the bright boroughs, the circle-citadels there
Gerard Manley Hopkins
I cannot truly say what it is that makes Wales, and the Welsh, so appealing to me. Is it the countryside, as I imagine it. Much like our own but wilder and with more craggy mountains and hills. Or is it the language with its lilt and strange cadences? Or the music, - so magnificent and stirring, sung by those marvelous Welsh voices.
Or is it the Romance of Dragons and Merlin and ancient tales of love and heroism. Before I ever knew of Myfanwy and her reluctance to be satisfied I had a friend when I was in Grade One also named Myfanwy.
Her name appealed to me on two levels, - the Romantic and the Practical. As a name Myfanwy was equally as unusual as Hildred, and so it was not just me who stood out amongst all the Annies and the Alices and the Joans and Noras.
Some of my evenings I spend visiting various blogs that appeal to me because of their creative and descriptive writing. "The Welsh Hills Again" is one of my favourites. Its meaningful writing carries me away into a different world, one with a culture so ancient compared to the valley in which we live, where we are only two or three generations away from the first white pioneers. And I am impressed by the expression of "awareness"....not only of surroundings, but of life itself.
In the last few weeks I have had a selection of poems and prose of Gerard Manley Hopkins sitting on my desk, and I marvel at the awareness and the sensuous expression of his way of seeing.
Although he was not Welsh, he did spend time in North Wales when he was reading Theology, and he used his knowledge of classical Welsh poetry to "good account", both in his poetry and his prose.
His description of a spring sky...."but such a lovely damasking in the sky as today I never felt before. The blue was charged with simple instress, the higher, zenith sky earnest and frowning, lower more light and sweet. High up again, breathing through woolly coats of cloud or on the quains and branches of the flying pieces it was the true exchange of crimson, nearer the earth/ against the sun/ it was turquoise, and in the opposite south-western bay below the sun it was like clear oil but just as full of colour, shaken over with slanted flashing 'travellers', all in flight, stepping one behind the other, their edges tossed with bright ravelling, as if white napkins were thrown up in the sun but not quite at the same moment so that they were all in a scale down the air falling one after the other to the ground"...
And his poem "For Pied Beauty"......
Glory be to God for dappled things --
For skies of couple-colour as a brinded cow;
For rose-moles all in stipple upon trout that swim;
Fresh-firecoal chestnut-falls; finches' wings;
Landscape plotted & pieced -- fold, fallow, & plough;
And áll trades, their gear & tackle & trim.
All things counter, original, spáre, strange;
Whatever is fickle, frecklèd, (who knows how?)
With swíft, slów; sweet, sóur; adázzle, dím;
He fathers-forth whose beauty is pást change:
What eyes to see, - and what generosity to share the beauty....his writings feed my soul........
"on left, brow of the near hill glistening with very bright newly turned sods and a scarf of vivid green slanting away beyond the skyline..."
and on and on, - one brilliantly satisfying sentence after another.